Brad Moore

<p><b>Brad Moore</b>, <i>Trini Circle, Westminster, California, 2006</i></p>
<p><b>Brad Moore</b>, <i>Budget, Westminster, California, 2006</i></p>
<p><b>Brad Moore</b>, <i>French American School, Santa Ana, California, 2006</i></p>
<p><b>Brad Moore</b>, <i>Hewitt Place, Garden Grove, California, 2007</i></p>
<p><b>Brad Moore</b>, <i>Judith Circle, Westminster, California, 2006</i></p>
<p><b>Photographer</b>, <i>Steak & Stein, Pico Rivera, California, 2008</i></p>
<p><b>Brad Moore</b>, <i>Rose Room, Tustin, California, 2008</i></p>
<p><b>Brad Moore</b>, <i>islands, Westminster, California, 2007</i></p>
<p><b>Brad Moore</b>, <i>Fuzzy Bear’s, Stanton, California, 2006</i></p>
<p><b>Brad Moore</b>, <i>Roosevelt, Huntington Beach, California, 2008</i></p>
<p><b>Brad Moore</b>, <i>405 & Magnolia, Fountain Valley, California, 2006</i></p>

From Brad Moore's website where you should go next to see more great work:

The following photographs were shot in modest, well-worn, suburban cities in central and inland Southern California. Built in the 1950s and 60s, these cities provided a new home and future to a post-war population. This is where I grew up and, after 25 years, I returned. The areas I remembered were fading away, and I was struck by the simultaneous growth and decline. Initially, it was the buildings that interested me; I shot them in formal, almost symmetrical compositions. Then I began shooting the surrounding shrubbery with the same architectural approach. I liked the way the buildings and plants worked together, so that is how the project evolved. I have opted to avoid traditional, documentary-style photography; instead I have photographed in primarily static compositions, reflecting change, irony and evolution.

time well spent

closeup view Jack Troy cup, links to Jack Troy artist page

time to explore

link to newest page of ceramic artist links, including link to Scott Parady, pictured

time flies

Link to monthly image blog